Shot List

Below is a series of screenshots presented in a shot list for what will need to be filmed when we begin recreating this video

Toulouse shot list

From 0:19

All handheld.

Key = Maskman + person

0:21 - Med close up Approach person, looking at bus times

0:22 - Closeup Finger on list

0:24 - Med close up Look at watch

0:28 - Med / close closeup yawn, enter maskman shoulder, double look sideways ‘:o’

0:30 - Reverse shot lowish angle of maskman – person face in right of screen

0:32 - Re-reverse shot, highish angle, maskman hood left, person looks up, de tenses, eyes

0:35 - Re-reverse shot to maskman – bit of movement

0:36 - Re reverse shot to person, looking up confused as maskman approaches

0:37 - Low angle CLOSEUP of mask face

0:39 - High angle CLOSEUP of person [scared] face – dart look lefty

0:41 - Closeup of both faces, person on left (only side of face) Mask dominates left 2/3

0:43 - Switch reverse angle, maskman looming over person V SCARED CLOSEUP

0:45 - Re-reverse to mask dominating even CLOSEUP

0:46 - EXTREME eyeball zoomy closeup of person

0:47.5 - CUT to pumping hand – hip shot

0:49 - Cut to mask face / semi person shot (as before) – person look down around

0:51 - Cut to alternative two shot, person low down and scared

0:52 - LONG SHOT – person semi crouched, Maskman looming over doing weird pump thing

0:53/4 - Re closeup of mask dominating low angle – bus shelter in right view = Trappppped

0:54 - Re cut to alternate showing person face

0:56 - Hip shot of hand pumping

0:57 - Re semi 2 shot of mask man closeup

0:58 - High angle on FOOT STOMP

0:59 - Further away cut of medium closeup – facing maskman more, still person half face in shot crouched – MASK TURN LOOKS TO HIS RIGHT / SCREEN LEFT

1:00 - Closeup again on maskman face angle

1:01 - Track around middle torso of maskman, person in right of shot, only bodies, still pumping, to HAND MOVEMENT

1:03 - Long shot showing bus stop, person mid right third - Maskman: hands out weird clap thing semi moonwalk, turn feet face away – readjust feet, hand things

1:04 - High angle on feet, mid framing – feet lock

1:04 - Low angle on Maskman face – pov person, Mask TURNS – slight camera lift zoom

1:05 - Overshoulderish, show person, less high angle – maskman move around left of frame, person looks

1:06/7 - Long shot – mask man feet lock and hand movish clap, TURN FACE

1:07/8 - Maskman looking at person – med closeup person right frame, Maskman left – evening out (not high or low) Maskman turns back

1:09 - Long shot again – person less crouched, Maskman: feet over, then top body slide – head turn

1:11 - Mask man med closeup looking at person, person looking – (hand movement, only show upperbody) turn once to face, turn back, turn AGAIN to face

1:12 - Medium closeup of Maskman, dominating, person face in small bottom right, reveal background scenery, maskamn move = slight glimpse of mask

1:13 - Closeup of mask – from behind Mask man whips down, shoing maskman’s left leg, and the bottom torso &legs of person, maskman moves in, slight tilt up, mask moves up (focus on mask)

1:14 - Mask put on person – half half closeup framing – WHITE FLASH quick speed fraction of a second

1:15 - White fades to cuts to closeup of person now with the mask, even angle – hands on face, turns to look out left

1:16 - Long shot cut – person uncrouches, maskman steps back, personlooks around as uncrouching

1:17 - FLASH WHITE jumpcut, med closeup of maskman on left and new mask person on right jumping around track backwards

1:19 - cuts to back view: Medium two shot – unsteady moving – dance

1:20 - Mini jump cut to being slightly closer – still dancey back view (so maskman is on the right of frame) Person turns while maskman pumps outwards

1:21 - Recut to slightly close front view, maskman slightly in front, person holding hood

1:22 - Slight mini jump cut to closer to cam – weird stridey arm walk thing – maskman left dominating, person in right further back [busier street]

Lyric Timings List

The song which we have chosen doesn't feature any lyrics, therefore the recreation of shots, mise-en-scène and editing will need to be near flawless in order to make the video outcome really good.